A post. Now that’s something I haven’t seen on here in a long time.

Parallels is now on NETFLIX! I worked on this last year as an assistant editor and graphic designer. I had a fun time making this poster, which I like to think of a fun combo of Tron meets North by Northwest. Parallels is about a building that jumps to different parallel worlds via quantum mechanics, so I decided to focus on the building and the mechanics that could be involved with that sort of technology. Fun fact, I started off with a crappy location scouting photo, and then built the shape of the building from there.


Here’s the trailer:

Here’s a link to Netflix: http://www.netflix.com/WiMovie/80025727?trkid=13573466

My pal George wanted to do a datamosh video and I was happy to spend a few sleepless nights with my computer and a pack of Red Bull.



If you liked it, here are some full-res stills of the glitches at the end. I’ll post some more if people would like. For you datamosh geeks, I did these in Audacity. I isolated the wavelengths for R, G, and B channels, and then by mix and matching them, you can also get the yellow, magenta, and cyan versions.









Here’s a cool video we shot at the YoutubeSpaceLA with Legendary Pictures. They gave us access to the fun sets from the Comicon Godzilla presentation.


And check out my pal Phil’s video that we shot the same day!

A quick 30 seconds of some glitches from E.T.X.R.



For most of these glitches, I exported still frames and glitched them each individually with different methods… and then I realized that after doing that for over 400 times only gives you about 19 seconds. Time to make a plug-in.

I’m excited because I can finally start sharing my glitch/datamosh animations I created for the new movie E.T.X.R.

Here’s the trailer!


Opening Title






And this isn’t from E.T.X.R., but I love Breaking Bad.

Yeah Glitch


You can catch the movie in all these internet places:

Netflix: http://nflx.it/1ly9M9j
iTunes: http://bit.ly/1hbO3Mz
Amazon: http://amzn.to/QyXKQ5
Xbox: http://bit.ly/1hbQ0Zg
Google Play: http://bit.ly/1fGDUrF

That’s all I got for now, but come back soon as Fox Digital Studio will be releasing more videos and behind-the-scenes!

Anthony and I decided to have a little fun with this what-would-i-say? fad with a little tumblr of our own called, what-would-i-draw?


Check it out-


Didn't get a grandpa

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photo (21)

I wish my beard were like this.

Figured if anyone was still interested, they could have some high-res stills of some of my favorite screenshots. Enjoy.

Miley Datamosh_0018_Layer 1 Miley Datamosh_0017_Layer 2 Miley Datamosh_0016_Layer 3 Miley Datamosh_0015_Layer 4 Miley Datamosh_0014_Layer 5 Miley Datamosh_0013_Layer 6 Miley Datamosh_0012_Layer 7 Miley Datamosh_0011_Layer 8 Miley Datamosh_0010_Layer 9 Miley Datamosh_0009_Layer 10 Miley Datamosh_0008_Layer 11 Miley Datamosh_0007_Layer 12 Miley Datamosh_0006_Layer 13 Miley Datamosh_0005_Layer 14 Miley Datamosh_0004_Layer 15 Miley Datamosh_0003_Layer 16 Miley Datamosh_0002_Layer 17 Miley Datamosh_0001_Layer 18 Miley Datamosh_0000_Layer 19

So I’ve been learning to datamosh, which is the technique of purposefully corrupting video or picture data to come up with a whole new thingy. I originally posted the video to youtube, but it was taken down the next day, so here’s the vimeo link. Enjoy!


This was actually a very simple process, for a very cool and drastic effect. There are many ways to datamosh and databend. You can open up your video or picture in a text editor or a hex editor and just start deleting, copy and pasting, typing extra stuff in, etc. and then see what you get. The fun part about it is that you never know what the end product is and you can throw creativity caution to the wind.

For this video, I ended up deleting the I-frames. Certain video codecs interpret the images we see in video as either I-frames or P-frames. I-frames tell your computer that a whole new image of pixels is present and then a clear picture is formed. The frames after that are then known as P-frames, and they measure the change in position of a pixel from one frame to the next. Through a few programs, I got rid of all the I-frames, which then lets the pixels of one video clip, sort of bleed over onto the pixels of the next clip, and then get moved around with the new set of pixels. Confusing? You should check out this video series that is a good tutorial on the whole process I used.

The “Welcome to Heartbreak” music video from Kanye West was actually one of the first popular music videos to use this effect, so my project here isn’t entirely original. They shot it and composited it in a very controlled way to allow them certain looks.

But of course, you should check out David O’Reilly if you’re interested in seeing any real datamoshing. He was one of the original pioneers in this method. PLUS, he made the incredibly awesome 3D episode of ADVENTURE TIME which really used datamoshing and glitching effects in a unique way that contributed to the story. The episode could not have been made if it hadn’t been for glitching and datamoshing. Hopefully, because so many people saw the Miley Cyrus video, they will be interested in seeing more of this art form.



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